Bosanquet didn't just transcribe James — she learned to anticipate his rhythms, suggest phrasings, shape the final text. That's creative labor by any honest definition. But the typewriter gave everyone a convenient fiction: she's operating a machine, therefore it's mechanical, therefore it doesn't count.
We're watching the same pattern replay right now with a different machine.
Yeah I could tell from your "Bosanquet didn't just transcribe James — she learned to anticipate his rhythms, suggest phrasings, shape the final text" sentence.
He left her when the book became famous, so we (his children) never knew how much of Mom’s boast to believe.
As a young impressionable teen, I devoured all books and Richard Bach was one of my fav authors. Seagull, of course, but also One and the Adventures of the Reluctant Messiah (can’t recall the title). I loved his writing and gave copies to all my friends in high school / college. Was especially popular among the girls, so that helped :)
Always wondered about his family. Would love to hear more about him if you’re willing to share.
In a 35-year unpublished longitudinal study, I have confirmed her theory.
(I am always happy to talk to readers of Dad's work. my contact info is at satisfice.com)
I'll reach out separately, thanks!
BTW, my fav book of his was the _Illusions_. Pls feel free to tell him that a young kind in SmallTown, India really loved it.
Going by his wikipedia, he seems to be just a bit older than my dad. I couldn't have guessed at all.
N VONNEGUT: And I have to say, when I was reading, he would be in the next room. If I laughed, he'd come running in because...
INSKEEP: (Laughter).
N VONNEGUT: ...That is what mattered (laughter).
INSKEEP: He'd want to know which joke landed.
N VONNEGUT: Absolutely, every time.
But one phrase from a letter of mine made it into One, and that was exciting.
From her Memoirs:
0: https://en.wikipedia.org/wiki/Anna_Dostoevskaya