https://images2.imgbox.com/cc/f9/gX6o2Jfu_o.png
Must be very conducive to reading
Perhaps you would like the archived page instead if you don't have an adblocker, though I recommend installing one.
If one day it becomes possible to host a website for free, it would also be reasonable to complain about ads on it.
R. A. Lafferty worked as a full-time electrical engineer for Clark Electrical Supply Company all his life, though he eventually moved to a salesperson position.
Vonnegut is among my favorite authors alive during my lifetime — he was a POW during the bombing of Dresden (WWII) — a great drafted veteran friend of mine wouldn't even listen to me discuss Slaughterhouse Five with him until I told him about the author's background (apparently during 'Nam Vonnegut was considered a traitor by draftees?).
All these life experiences — who actually succeeds when their only goal is to become a writer?! Empty words, empty people.
Do you have a better Gene Wolfe introductory recommendation? His 2nd book for me to read?
[0] first comment <https://news.ycombinator.com/item?id=47125287#47153200>
That said, it is a challenge for a lot of readers. It's a single, very long novel that introduces a complicated and mysterious cosmology that is rarely fully understood until the second or even third reading. A common saying among fans is that you don't read Wolfe, you re-read him. It requires a certain amount of patience.
An easier intro is The Fifth Head of Cerberus, which is also one of my favourite novels. It's very short, but its puzzle box structure is no less satisfying or challenging than New Sun. Parts of the fun is figuring exact out who is narrating the three different stories that make up the book — it's probably not who they claim to be — and exactly what happened.
Thinking about the article's reference to Herman Melville, Ursula LeGuin actually called Wolfe "our Melville", "our" meaning science fiction writers as a group.
The "Wizard Knight" series (two books) I also really enjoyed if you like something with a bit more fantasy bent.
Can't recommend Wolfe enough!
Your comment has been screenshotted, for consideration after New Sun. Thanks.
I’ve had modest success with a few dozen stories and poems published over the last dozen years, but I don’t expect it will ever be a major source of income for me.
[1] https://www.smithsonianmag.com/arts-culture/two-years-cormac...
I haven't read anything else, but the film No Country for Old Men is incredible storytelling (and I only started Suttree after a /hn/article from a few months ago described the polymathic dismantling of his impressive library).
His short article The Kekulé Problem sheds serious insights (to me, at least) on whether or not LLMs can, alone with language, ever become truly conscious (are words, alone, enough?). Not the main point of the article (rather: about lucid thinking/states leading to wordless solutions presenting themselves to "discoverers," dreaming).
Back then, all jobs moved at a much slower pace. There was a lot more off time during work hours.
> You’re not a failure by being a dayjobber, Billy, you’re an artist, just like the rest of us. So what if you aren’t some rich kid from the Upper East Side who had the privilege of being stuck in a practice room since Kindergarten? Sure that kid can shred, but do you really want to be that person? You’re playing shows, making records, and selling merch online, all without daddy’s money to hold you down. You’re making it happen without the head start that Richy Rich got the second he was born. Be proud of that! Knowing that the game is rigged is liberating! Just because the music industry lacks meritocracy doesn’t mean you can’t blow these assholes out of the water through your craft. Your experiences outside their bubble will only foster more creativity as a result.
Source: https://klangmag.co/lifers-dayjobbers-and-the-independently-...
HN thread here: https://news.ycombinator.com/item?id=36693297
Source: https://www.theguardian.com/education/2001/nov/24/arts.highe...
> Here Reich fell in with musicians, dancers, sculptors and filmmakers. Sculptor Richard Serra was a neighbour of Reich’s at the time in Lower Manhattan, as was experimental filmmaker Michael Snow. For a brief period, Reich helped out with fellow minimalist Philip Glass’s removal company, Chelsea Light Moving. He recalls paying $65 a month in rent for a loft on Duane Street. “But I had a hard time paying that,” he says.
From
https://www.ft.com/content/02edd1fa-8e18-4483-ba24-7559d329a...
(also https://archive.is/C1TiZ)
I recollect reading that Reich made a definite decision against teaching as a day job because of the demands if you do it right.