That said, even colored these dumps still feels unappealing to me — so yes this is admittedly subjective gut jumping in the conversation. I get that occult form can also be an attractive force.

The post put on the table an interesting point about how to improve the presentation layer to fit what’s human cognition is good at spotting (in general, or at least for the expected audience with some training). And it does start proposing something with these color schemes. But isn’t it kind of missing the forest for the tree? Actually why do we even have rendering with [012345678ABCDEF], when a specific set of (colored/imaged?) glyphs would be able to make more obvious what’s on the table? Or even beyond the hexadecimal grouping, wouldn’t be more relevant to render something "intuitively" far more easy to grap without several layer of internalized interpretation through acculturation?

I really like hexyl [1], which does this by default.

https://github.com/sharkdp/hexyl

When I read this article a few days ago it inspired me to create my own hex viewer : https://ar-ms.me/thoughts/3sl-a-sweet-hex-utility/

The cool thing about it imo (outside of colors) is a `--windows` flag. Which separates the hex view into partitions: so `-w 2:-3:5` shows the first two bytes on a line, then skips three bytes, then shows the next 5 bytes on a line, then the rest of the file. Easy to use combined with a terminal's up arrow.

I think semantic coloring (based on structure) is more useful. Also (can't help as someone working with z/OS), if you really want to make hex output readable, I recommend using big-endian machine.

Emacs's hexl-mode does this, incidentally, though annoyingly by default it makes all faces the same color. I never understood why it defines the faces but then doesn't customize them.

I've started doing this with hashes in a CLI I'm working on. For slow prints, it's somewhat helpful https://asciinema.org/a/aD38Pk88CZgSZqtq but for debug dumps with many many hashes it really helps readability and tracking hashes across lines.

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