Yet it's currently hard to find a real usecase for it, since neither the content you want nor audience is there on PeerTube at the moment. If you're interested in open source software or data privacy you might find something here or there, but topics like gaming, music, sports or movies are very much underserved on the platform at the moment, and get almost no attention from viewers.
For example, I recently did a test search and found a let's play for the Legend of Zelda: The Wind Waker. The videos had something like 3-5 views on PeerTube, and about 10-15 times that on the creator's YouTube channel.
It's the same issue as on Mastodon and Lemmy to be honest, except exaggerated. If the majority of topics aren't well represented on these platforms, then the general public won't use them. And if the general public won't use them, then the creators that would bring the general public over won't use them either.
They need to figure out a way to encourage people outside of the 'hardcore tech nerd raised on Usenet' audience to use these platforms.
What does Peertube pay?
There is your answer. If people want good stuff, there needs to be money flowing to the source of it. The internet desperately needs to shed this "everything good is totally free" mindset, because what it actually manifests as is "I love taking without the requirement of giving".
The top channels get all the views because they're the only ones making videos people want to watch, and they're monetized because making such content is really, really expensive.
The problem is that beyond creators with "hollywood-like budgets", even just making 1 good video a week is a full-time job. Most creators are not looking to get rich or get massive returns, they just want to survive and pay rent. Which means any channel of any value has to be able to generate at least few thousand dollars month.
If we are talking about clickbait and making money from getting unwanted ads in people's faces, no thank you we don't need more of that.
I'm a professional YouTuber. The problem with a "donation" system is that, unlike something like tweets or even blog posts which are either free or low-cost to produce, high-quality video is really. expensive. to produce. And people just will not pay if they don't have to.
A good 20-minute video can easily cost 40 man-hours of high-skilled labor to produce. That is, a whole week of labor. And that's not counting expensive equipment, software, licenses, etc.
I cannot run a business on people deciding to give me money for nothing out of the goodness of their heart. And I am still a one-person business, imagine having 5 full time employees. Even YouTubers with millions of subscribers and mature audiences with disposable income often struggle to clear like $5K/month on Patreon. Which, for a multi-person business, is simply not enough. Meanwhile, that same creator might be pulling $20K/month through ads and a similar amount through sponsorships.
YouTube is more similar to Netflix and HBO than Twitter or Reddit. Yes, in theory anyone can upload to YouTube, but the majority of content that is actually watched is at this point produced by full-time creators, some of which are solo self-employed while others are at this point running whole media production companies. And those are the people you need to make a service succeed.
It's the most annoying and persistent counterpoint brought up in these discussions, but it has no grounding in reality. The most popular contingent of viewers are ad-supported, close behind are ad-blocking, then the last 5% are your subscribers and donators.
I generally like smaller sites, but those topics weren’t exactly engaging for me.
My login server is lemmy.world, so if you sign up with something else ymmv.
It was a really good experience, so I'll continue that way.
If you want to check out the videos: https://www.asfaload.com/videos/
It's one thing to put a <video> element on a HTML page (or implement video over webtorrent), it's quite another to make people actually watch it instead of their TikTok feed.
Even more annoying is that it terminates your YouTube account entirely, so now I can't even login to use it. And I was a premium subscriber, too!
The best thing about YouTube is their agreements with rights holders to allow music and revenue sharing easily, which makes it very simple for creators and remixers etc to not get their stuff removed via DMCA.
Youtube's biggest threat ever died in the cradle because they foolishly thought users would volunteer money to them.
No one with capital and capability looks at youtube, looks at youtube's audience, and says "Yeah, 30-40% ad-blocking and 4.5% paying for premium, these are the people I want to build services for!".
Those are the people who will happily go to an alternative product. And while that product might start as a pirate YouTube, the one that nabs 30% of YT's traffic can certainly make a pivot to legit. If you're a content creator whose audience is mostly in that group, you're likely to start posting content directly on the competitor's site.
I'm guessing OP had their account banned for using a tool like yt-dl too aggressively. Then again, doing that does give a warning.
Edit: in the past
This is the same problem as TOR exit nodes and why 3 letter agencies run most of them.
That sort of work also tends to be less well-compensated than that of SWEs which makes it more important to be paid for work (which most FOSS project cannot do).
I might open a pull request to support some new video code, and that might only require a few dozen lines over a few files. That's easy to review, and it either works or it doesn't. Worst case they say "our convention is to register codecs as a subclass of X class, but you subclassed Y class" or something equally straightforward.
Let's say instead I wanted to change the workflow to register an account. Now I'm changing a bunch of JavaScript, CSS, templates, I'm adding pages, and I also need to update the backend. Even if someone is that into frontend work, it might take forever to even get reviewed by the maintainers because it's a massive PR.
Plus, now we've moved into subjectivity land: "I'm used to the old workflow," (because they designed it) "The last one was really easy" (for an engineer), "I think we should focus on the backend before we work on the UI," "I don't like this font because the license isn't free as in freedom" etc.
Even if you just mockup something on Figma or whatever, unless you're a maintainer it's probably going to just get ignored as a feature request. Because there's also the psychological aspect of basically being told that the UI you wrote is implicitly bad, if you're the maintainer reviewing the mockup.
1. Chunk one inside a YT video 2. Chunk two inside a TikTok video 3. Chunk three on an X thread
And then just post the manifest somewhere that can be read by a client, that then pulls the data in (video, doc, anything)
Obv, not meant for speed or good UX, but if we’re going down the route of decentralization, we can probably leverage social platforms to host chunks of data.
PearTube (PoireTube) would just have the Fox News clips.
same situation that bitorrent found itself in
https://docs.joinpeertube.org/use/create-upload-video#publis...
https://docs.joinpeertube.org/admin/configuration#live-strea...
I designed it in order to stream videos and get paid without worrying about getting deplatformed
Two weeks ago it was covered in a respected security publication: https://www.helpnetsecurity.com/2026/06/19/safecloud-browser...
It's coming out soon, but if you're adventurous, you can try it on GitHub already.
Edit: I posted it on HN right now as https://news.ycombinator.com/item?id=48763565
I think people who don't make videos for a living severely underestimate how expensive it is to produce high-quality videos people want to watch. This isn't like writing a tweet or even posting a picture on Instagram. Even a decent 20-minute video can easily take 40 man-hours of high-skilled labor.
I have a pretty small channel (~100K subscribers) with no employees and relatively low upkeep costs (a few hundred dollars a month), and even I could not make this work if I didn't get at least $500-$1,000 per video on average, since it just takes so much time and money.
Most channels with more than a million subscribers are likely founders working 60-80 hour weeks with multiple full-time employees supporting them. You cannot do that in the hopes of viewers donating $5 here and there.
And yes, there are people who make content for free - most of them fail to hit a hundred views per video. And the difference between a million views and a hundred is 10,000x. You cannot create a platform without big users.
I think any real competitor to YouTube nowadays would have to be backed by a big corporation that can pay big creators million-dollar deals to make the switch. Otherwise it's just dead in the water.
Nobody is going to go to OP's personal site to watch videos. They are going to fire up YT and eat what the algorithm feeds them.
The reason PeerTube and Nebula are important is it provides the potential for a true alternative destination for people looking for videos. Once these platforms have an enough content to draw an audience naturally, then content creators will be able to survive a post-YT world.
For people like the OP, it's probably best to follow the model video games do with DRM. Post on YT first, to get the ad revenue, then repost on other platforms after some time to build up an alternative subscriber base. Presumably, in-video sponsorships will pay for these views as well, even if there's no direct ad-sense like revenue model.
That one is likely the best use case while one monetizes on YT waiting for FreeTube to gain more popularity. Worth also for keeping a safer online accessible backup in case things go south with the YT channel being taken down for any reason, be it bogus copyright claims or else. What I'm not sure of though is how long until Google changes YT rules to disallow linking or even mentioning competing, or perceived as such, services. Companies always do that: I'm a Ebay user since 2008, 100% feedback both as seller and customer, hundreds of positives not a single negative or neutral in 18 years, but a while ago Ebay in their infinite wisdom blocked a listing of mine because I added the links of the documentation needed to use the device I was selling; no way to appeal successfully or have it restored, they evidently either used a monkey or AI to detect what they identified as an attempt to contact the customer outside of Ebay, for a €30 item nonetheless. Years ago they didn't enforce such idiotic limitations, so I wouldn't put any trust on YT to remain consistent with their current rules.
If a channel has 100 subscribers - (except if it's a brand new channel) - it's because people saw the videos and decided, no, I don't want to see this, I'm not going to subscribe.
Put all of those people on a platform together, you will just end up with a platform with more creators than viewers.
[1] - https://kk.org/thetechnium/1000-true-fans/
High quality videos just cost a lot of money and labor to produce. There is simply no way around this. Any platform which doesn't let creators monetize effectively will be stuck with what people produce in their free time. Which will essentially always be worse, because the competitors will have creators with actual budgets and time to work.
In fact, I'd expect the highest quality videos to have a relatively low viewership. Most people seem to want Mr Beast or whatever.
[0] https://youtube.com/watch?v=WTEZjR5aNjw&list=PLoaXcYRr65txn8...
Frankly I wouldn't care at all if all of your over-produced thumbnail-bait disappeared overnight.
This isn't about "over-produced thumbnail-bait". This is about all high-quality media.
There's a reason blockbusters cost hundreds of millions to produce. Because video, as a medium, is just insanely expensive.
You mention Rick Beato. Do you really think Rick Beato sits down behind his laptop to edit his own videos? He has nearly 6 million subscribers and produces around 10 long-form videos per month. He has at the very least an editor (probably full-time) and a thumbnail designer (part-time), and I assume also a manager who sets up brand deals and contacts musicians for his interviews. He also records his videos on expensive cameras inside his well-lit studio, which also isn't cheap. It's very difficult to tell how much YouTube channels generate but I wouldn't be surprised if the Rick Beato channel is at this point a >$20K/month operation.