I know I'm a bit weird, but the internet is full of weird people. It seems strange to me that nobody is interested in bitmap fonts these days.
What I really want is a hand anti-aliased bitmap font which prioritizes sharpness.
Hand-hinted by Fabrizio: ”More than 9000 characters optimized from 9pt to 48pt to guarantee the best possible readability.”
It is the ultimate “programmer’s font” and well worth the money for something you stare at every day and the next best thing to a bitmap font in today’s “Retina resolution” world.
Accept no imitations.
I really like using Cozette - it has great glyph support and a hi-dpi version
https://github.com/the-moonwitch/Cozette
I just wish more editors had support for true bitmap fonts! Turning off anti-aliasing on a bitmap->vector converted font is OK but not quite the same.
* https://jdebp.uk/Softwares/nosh/guide/terminal-resources.htm...
It’s similar to vector icons versus hand-drawn bitmap color icons.
As I got higher DPI monitors, I found it less hassle to use outline fonts, but I still find them preferable - given the option.
Has 7 sizes ranging from 6x10 pixels to 16x30. The larger ones are a bit rubbish. Only covers Latin-1.
LE: Ok, so it's a little more different that JetBrains Mono as this comparison shows https://claude.ai/artifact/HPiALZ7AZ2f5FxSZtcTdNa
That's a really fun tool.
Lower case 'l' even extends above upper case 'G'. it missed with my brain xD
Overall it's really pretty but not a daily driver.
Your comparison says the `m` is 28% different. It's completely different. I don't know what the 28% is supposed to represent (yes, the difference in the area taken, but that's meaningless).
The message may be subjective but it strikes me as: "I, the font, contain important data [due to the sharp curvatures and uniform size of letter elements]. Not sure if others think about fonts in this way.
Berkeley Mono's message to me feels like "I'm just doing my job, don't mind me, focus on your thing".
It's a font inspired by older terminals and "no nonsense" hardware of that era. I put its design philosophy as "it's so good that it's invisible". Using it for years now, and it feels natural and neutral.
With Gruvbox dark, it really feels like I'm using an old terminal. Like how I like it.
The same goes for milk, cheese, fish cans, cars, chocolate, movies, and clothes. And books.
I'm happy to report that there is still good milk and cheese out there. Fish is a hit and miss. Belgians still make incredible chocolate, but cars, movies and books have gone downhill.
However, while I'm a pen and paper guy heavily, I love my e-reader.
P.S.: Also, trackballs are much better for many tasks than mice. I'm happy they still make them, and make them well.
I dug some with Gemini. Looks like they did. A couple of references I could find:
- IBM Graphic Design Guide: https://designreviewed.com/artefacts/ibm-graphic-design-guid...
- AFP (for printing any typography, I believe): https://www.ibm.com/docs/en/i/7.6.0?topic=concepts-afp-resou...
- Looks like part of their first font specifications still live in OpenType spec: https://learn.microsoft.com/en-us/typography/opentype/spec/i...
Wow.
And who isn't?
Squints - m is too weird - tab closed :)
Bitch please… https://github.com/rbanffy/3270font.
https://github.com/tywr/Nordwand-Mono/blob/main/src/glyphs/n...
My main concern is that the tall glyphs for less than < and greater than > will disambiguate badly with actual Unicode left 〈 and right angle brackets 〉.
Edit: I also realised just now the ASCII hyphen-minus - is quite long with this typeface, which makes it ambiguous with the longer dashes. (It looks freakin' great in pure ASCII environments, though!)
I will never understand people who expect fonts for free. They don't grow on trees. Font development is extremely involved, and I am happy to die on this particular elitist hill: the overwhelming majority of free fonts are absolutely rubbish, including the Liberation family, which is available by default on most Linux distros.
Any font that is free and is still reasonably good is almost certainly designed by a type foundry for a megacorp's branding and user interface (so, things like SF Pro, Segoe UI, Open/Noto Sans, Roboto, JetBrains Mono, IBM Plex, Source Sans, Fira Sans, Inter, etc), or are historic properties of the type foundries themselves, like Garamond, Helvetica, Didot, Minion, etc.
ASCII isn't the only set of characters. Just the LGK (Latin, Greek, Cyrillic) set of glyphs alone including combining marks, diacritics, contextual alternates and ligatures alone amount to several thousand glyphs, each of which has to be individually tuned for different weights, hinted for different display resolutions, hinted for RGB/BGR subpixel rendering, and more.
This goes double for any contractor who can just write it down as business expense.
As one YouTuber said: it's the first time we can create (somewhat) coherent, context dependent and new content using something else than other humans.
I can't say I'm too keen on wading through piles of crap, I'm also not keen on the AI bubble and its popping nor on AI's impact on employment, but if we survive all of this, we might end up with a lot of new stuff that could actually be good. 1% of this garbage will be good, but since the entire pile will be so large, that 1% might double or more our options in various fields.
Having aging eyes, I wish monospace fonts made 8 and 0 (zero) more different from each other. I notice that I have started to confuse those two glyphs when in small sizes.
I like that, I usually have ligatures turned off, because I don't like all of them, especially the ones for == or ===. (Otoh I do like != ligatures...) but I do like the arrows.
This is probably were somebody tells me how easy it is to configure singular ligatures on a font and I'll facepalm in embarrassment for never finding out.
(use-package ligature
:ensure t
:config
;; Enable specific ligatures globally across all modes:
(ligature-set-ligatures 't '("==" "===" "!=" "->" "-->" "=>" "=="))
;; Enable individual ligatures only for specific programming modes:
(ligature-set-ligatures '(python-mode rust-mode c-mode)
'("||" "&&" "::" "->" "=>" "!="))
;; Enable ligatures only for HTML / XML:
(ligature-set-ligatures '(html-mode nxml-mode web-mode)
'("<!--" "-->" "</" "/>"))
;; Enable global ligature mode
(global-ligature-mode t))I hate all of them with a passion, because they look like a glyph (i.e. "something you can erase with a single backspace") but aren't. This confuses me first, and annoys me second. "Just because we could" doesn't mean that we should.
Imagine having to use Backspace twice to erase e.g. Ö or Ñ, or being able to place your cursor halfway inside Æ.
Pdf preview doesn't work on GitHub.
I see repeated posts on various fonts these days and I would like to try them.
Is manual installation the only option?
Turns out it has smart kerning, ie. character positions are subtly adjusted to compensate for different character widths. For example, i is narrow and m is wide. That causes words like "commit" to look bad in standard monospace fonts. The m's in the middle are very densely spaced and there are wide gaps around the i.
I'll be testing Commit Mono in my editors. Maybe it will even make me switch SilverBullet back to a monospace config.
(Elle Cordova is incredibly talented)
I know some people might want to modify or tweak the project to their liking. The project is meant to provide a Python sandbox more than just font files, so feel free to fork it or submit a PR if you feel like some glyphs need tweaking! You don't need any external tools to draw/visualize the glyphs.
However, it doesn't support all the characters I need, so I can't use it as a terminal font. However, I starred your repo, and will watch it.
Thanks again for the effort, it looks really nice.
Normally, I use Berkeley, but I have a couple of terminal profiles with different fonts which I use if I open 5+ terminals sometimes, to group things. I wondered whether I can use this one of the alternate fonts when things get complicated and crowded.
Looks really nice though. :)
The second one wreaks havoc on many, many systems. e.g.: It was breaking Kodi completely (https://github.com/xbmc/xbmc/issues/19883#issuecomment-86833...), and I have personally wrapped many software packages with locale change scripts to make them run.
For more information: https://blog.codinghorror.com/whats-wrong-with-turkey/
Edit: I'm quite fond of the 'k'.
I’m doing lots of CAD work this way, where previously I’d be drawing in rhino but not operating from durable product briefs.