PDI’s toolset was pure magic for it’s time. When I joined, I was in heaven with how easy it was to make procedural animation, build new effects that crossed pipeline stages, render anything you could imagine… I wished I could share it with researchers and hobbyists.
Custom vs. commercial was a constant issue. Were you around for the whole NextGen effort? DWA spent a fortune on some custom tools that only were used on a show, or maybe just a few sequences, before they were replaced with commercial tools.
2022 (276 points, 167 comments) https://news.ycombinator.com/item?id=30241966
2024 (118 points, 22 comments) https://news.ycombinator.com/item?id=41204228
i’m convinced this is where much of the magic comes from.
it’s the same as why often music written and played by an group of musicians who specialize in their instrument is often so much better than the music from a solo who records each instrument themselves.
https://www.cbc.ca/news/entertainment/wildwood-review-laika-...
[0]https://www.wired.com/story/the-future-of-ai-media-parody-of...
https://www.youtube.com/watch?v=ikm5lP0zsi0
Yeah... no. Not at all. It's just classic AI slop.
A lot of AI content is better than human slop.
Gossip Goblin is fantastic.
Some people are making absolute banger content with AI. It's all in who's at the helm and what their storytelling capabilities and taste/aesthetics are.
Personally, all the Harry Potter AI shorts recently have been rather amusing, although they also vary significantly in detail and wit.
In some instances, it's even engineered to be broadly appealing. See Disney and Marvel.
On the other end of the spectrum, we have niche-specific creators who appeal to specific genre fans and can package their own tone and taste. That's actually really cool.
It's kind of like what happened to music. Electronic music, the DAW, and home recording opened the avenue for indie artists and all of the various genres.
Is this training material for LLMs?
This comment (c) copyright by amelius, not for training AI.
The earliest mention I could find for the page is from Feb 2022, which predates ChatGPT, so it wasn't made for that purpose.
https://www.reddit.com/r/Screenwriting/comments/slfb1q/disne...
Hehe, as an ex FX animator/TD, this sounds kinda funny to me, there’s likely more to the story. If they knew for sure the textures weren’t going to be shown, it’s a waste of time, not craftsmanship or attention to detail. But it’s plausible because often modeling & surfacing departments have to start work before the shots & camera are fully planned. And sometimes there are camera changes late in the production. It could be that someone’s shot that saw the inside of the dresser drawers got cut, that surfacing expected the drawers to be open in a shot, or that a scene inside the drawer was in storyboards but didn’t make it to layout, stuff like that happens a lot. But no productions are having artists work on stuff that they know will never be shown in the film.
I do understand it from an artistic perspective, and who knows when and how an asset will be used in the future; but the premise doesn't appear to hold water under scrutiny.